I've Got Sunshine!

I'm knitting a new sweater!

In spite of the snow on the ground (and in the forecast), I've got spring knitting on my mind.  I've had Thea Colman's Vodka Lemonade cardigan in my Ravelry favorites for quite a while.  The designer describes this piece as a '...springy sweater with a vintage vibe. Seed stitch and lace details add texture and a feminine touch, and the classic styling ensures that it will go with jeans and a tank just as easily as a sundress and sandals.'

Thea Colman is notable for her introduction of details that are 'just right.'  This cardigan is light and simple to knit--resolving from a seed stitch collar with interesting, textured raglans, into a sweater with a beautiful lace detail on both fronts and the center back. Just enough to make it beautiful. It's just right.  Coincidentally, yellow is my favorite color, so I am knitting my sweater with Hikoo's Simplicity DK in 'Goldfish.' This yarn has a lively hand, is soft and washable, and it has excellent stitch definition. 

DSCF1285.JPG

Vodka Lemonade is a totally customizable pattern, too.  'You can play with the width, length, waist shaping or the sleeves without changing the design.  And if you prefer to wear your cardigans closed, there's plenty of room in the seed stitch panels for a few buttons.'  I'm long waisted, so I am adding some length in the body so that my sweater fits me like I want it to. 

The combination of a cropped sweater with 3/4 length sleeves and a lightweight (dk) wool blend yarn are making this is satisfying winter knit.  When the weather begins to warm up, I can't wait to pull on this sunny sweater!

 

Basic Color Theory

Plenty snow yesterday, eh?

Here in Lancaster County, we got 8 of the forecast 4-6 inches of snow yesterday.  Tomorrow it's supposed to happen again -- the current forecast is for freezing rain, sleet, and snow starting early in the morning and going all day. 

Today, though, it's sunny and warm (relative warm!  not absolute warm!) and the sky is clear.  (The roads down around the river, not so much.)  It's a beautiful winter day: everything is white and round and sharp against the sky.

As we acknowledged last week, though: grey can be wonderful and the stark monochrome of winter is lovely in its way... but sometimes it can be a bit much.  Sometimes it's just a little too grey, too white, too black.  Sometimes you feel like it would be worth setting fire to your house just to see something other than white and grey.

So today, in hopes of avoiding such drastic measures, let's talk about color.

This post is going to be a basic run-down of how color works, what makes something look good, how to pick good accent colors, and some links to resources that we use often.  I'm not going to touch too much on the stitch pattern/yarn color relationship -- come back next week for that!

First things first: what is color, anyway?  Most people know that it's a physical property of an object: something that is blue reflects light in the wavelength range that we perceive as and call "blue," and it absorbs the rest of the light.  Full-spectrum light hits an object and whatever wavelengths are reflected are the colors that we see.

Obviously, that can be affected by a lot of factors.  Here at the shop, we encourage people to step out onto the porch with their yarn -- it's surprising how different colors can look under the shop lights and under the sun. 

Here are the same four colors twice: once on the table in the shop, and once on the front porch.  The difference isn't huge, but it's there:

Even if you're only looking for two colors that go together well, it's always a good idea to check out the combination under a few different lights.  It's surprising, sometimes, which colors are related.  Here's an idea of what factors could be in play -- I made a hexipuff out of a bit of Kettle Dyed a while ago, and we didn't know which color it was (it was an older color for which the dyer didn't have notes). 

I took the hexipuff to the dyer and said "this is a great color.  Make more."  He looked at it and decided that it was mostly red, but had more orange than the other red we had in the shop, with maybe a little bit of purple in there too.  He went back through a year's notes on the different colors that he has made, and found a possible contender: 70% red, 28% orange, and "a little bit" of purple.  He tried it out the next day, and lo & behold, we had our great red again.  (We have it now!  It's awesome!  Look!) 

The good reason to check on your colors in different lights, then, is that relationships that are not apparent under indoor lighting may suddenly reveal themselves under natural light -- or vice versa.  We didn't realize that there was purple in the hexipuff until we took it outside and held it up against a few differently-colored things; only then did we begin to think that it looked a little too rich to be just red and orange.  Because of that little bit of purple, though, the red and purple look really, really good together:

Moving on to more technical things:  I imagine that most of you are familiar with the color wheel.  In short, they're a way to arrange the colors we perceive on a spectrum, saying "these are related, these are opposed, these are complementary."  Below are two basic color wheels: a modern one and one from 1810, from Goethe's Theory of Colors, and a third, more complicated one from 1874, showing gradations from the "pure colors" into tints (colors + white) and shades (colors + black or grey). 

"So," I hear you thinking, "How does this help me pick colors for my fair isle hat?"

Here is the short answer: pick a main color.  If you have one contrast color, try going two points in either direction (I'm using the first color wheel above for reference here).  If you're using green as your main color, blue or yellow will both look good as contrast colors.  From there, it's always fun to go into the tints & shades color wheel -- bright green with dark blue?  Dark, piney green with light yellow?  Maybe the dark green with the bright green... there are all sorts of possibilities.

If you want more than two colors, it's always a good idea to have two that are closely related and one that pops out.  An example: let's say you want a purple main color, as "violet" above.  The next decision is whether you want the purple to read as a warm color (reddish or orangeish) or a cool one (blue/green).  Let's say you want a warm one: a good second color would be one triangle over, a maroon or reddish-violet, because it's closely related to the purple, but different enough that it will stand out.  And then a third color, one that really jumps out and draws attention to the piece: go over another two triangles and you'll have something directly related to CC #1.  Purple, red-purple, and red-orange turns into a warm-toned, rich purple with a few really excellent, bright highlights.

If I'm making something with lots of colors (let's say five, for the sake of having a list to work with), I usually pick out one main color, two closely-related contrast colors, one slightly-less-related color, and one eye-catcher.  Light green MC with a dark green and a sage, maybe, then a yellow-green for the second set of contrast colors, and a bright, electric blue for the eye-catcher:

This is a good tool for figuring out how colors work together.  Click on colors on the right (up to five) and the search engine looks through Flickr for photos that contain that color.  You can adjust the percentages (as I did for the image above) to give it a main color and contrast colors.  It's a little limited -- it works best for color selections that are mostly one color (mostly greens, for example), and once you have four or five colors it sometimes breaks and gives you pictures that aren't mostly those colors.  Still, it's a great place to start.

It's also a good way to start thinking about accent colors -- if you enter three or four colors that are closely related, it can give you an idea about which other colors stand out enough to be used as accents. 

Here at the shop, you may have noticed that we have a basket full of kaleidoscopes.  Ever wonder why? 

It's because of accent colors.  You'd look at that basket of blue and purple and say "great, but I would never ever use that bright red for an accent.  That looks terrible."  The kaleidoscope messes up what your brain thinks it's looking at -- it takes it from "six skeins of yarn" to "blue teal purple dark green turquoise red."  It interrupts what your brain thinks it knows about the colors and whether or not they go together, and it reveals that they do, in fact, look great together. 

You wouldn't want to use too much red, of course.  That's why it's an accent color.

Last but not least, here's my new favorite color tool on all of the internet: the color scheme designer.

Here it is with this year's official color selected (that's it in the center box on the right) (yes, this is a real thing). 

To use: select a color.  You can adjust the saturation & tint/shade by clicking "adjust scheme" under the wheel.  A single color selection will give you something like the above.  By picking "complement," "triad," "tetrad," etc., you can get multiple-color schemes, and the accent colors can be moved around, so you can customize it however you like.  It also has a colorblindness filter, so if you're making something for someone colorblind (or if you just find it fascinating, like I do) you can play with that as well.  Here's an analogic color scheme based on blue (the center dot) in full-color and most-common-form-of-colorblindness:

Thus concludes today's lesson... now go out and enjoy the snow before it turns to icy slush tomorrow!

Things We Like: Winter Skies Edition

It's late January, and it's cold.

It's very cold.

All the way to the shop this morning, the car thermometer read 6.  Six!  With the wind chill today, it could dip as low as -15... what fun! 

Yesterday the sun was out only occasionally, struggling through tiny gaps in the omnipresent clouds and never quite seeming to reach the ground.  There was ice everywhere, though, so even if we didn't notice any warmth, I suppose some must have gotten through.  And the wind!  Drifts up to your knees with adjacent patches of bare brown grass, ice crystals sneaking in through hats and gloves, the cars creaking on their suspensions as they creep past across the snowy road...

Today, though, the sun has been out for a whole twenty minutes already and the sky looks like it just might be starting to clear.  It's still grey, but it s a bluish sort of grey, one that suggests thin clouds that could evaporate or blow away at a few moments' notice.

So in the name of encouragement, let's take a minute to pretend that it is bright and sunny outside and appreciate the colors of winter and the winter sky.

IMG_5162.JPG
IMG_5157.JPG

There is a lot of variety that we can get out of the humble grey -- solid colors, heathered colors, tweedy colors, dark grey, light grey, semi-solids...

The best part is that grey goes with everything.  Fact: grey looks good with everything.  Especially winter landscapes!  Where would we be in the winter if we didn't have grey?

All of the buggy tops I've seen lately have been covered in snow and ice ... or salt stains.

IMG_5161.JPG

Does anything get any better than short rows and garter stitch?

This is precisely the color of the clouds this morning.  Soft, heathered grey, a little fluffy, with long parallel lines running in the direction of the wind... I think I want a cloud-colored sweater.  Hmm...
Sometimes I wish for clear skies when the clouds are out, but I find that if I take a minute and appreciate the clouds I can usually find them pretty fantastic.  

But soft!  what light through yonder window breaks...

...oh, wait, excuse me. 

(little darling, it's been a long cold lonely winter...)

(ahem.)

The sun is coming out!  It's still out!  Maybe it'll be the best kind of winter day: the kind that is clear and sunny and still, but still really cold.

The kind of winter day with skies like this:

Winter skies edition is mostly winter edition, with some colors thrown in sometimes, in small quantities to catch your eye.  You can knit holly berries in a snowy tree, or a tiny patch of sunlight coming through the cloud ceiling, or a cardinal on an icy branch, or a vulture circling over a snowed-in valley... the possibilities are endless.

Here's how: take grey of any shade and texture, maybe some white, maybe some black or dark brown, then add a little red.  A little green.  Maybe a little bit of orange.

If you really want to look like winter, though, blue is the way to go.  What more could we want in the monochrome winter than a patch of bright, cold, saturated color?

 

Lancaster Yarn Shop, for all your color-deficiency related needs!  The roads are clear and dry and the heat is on -- come on out and get some color!

Properly Practiced Knitting

"Knitting is a method by which thread or yarn is used to create cloth."

What a simple sentence, and yet --

Somehow that just doesn't sound like much.  A method by which thread or yarn is used to create cloth.  Well, yes, I suppose that is right.  Technically.

And yet --

Where, in that sentence, is the obsession?  Where's the interest?  Where's the thing -- whatever the thing is -- that makes us say "you know, $49.99 for 50 grams of bison yarn isn't that bad."  (I've never done that.)  (Okay, I've totally done that.)  (Uh... twice.)

If you stop to think for a minute, though, you can start to pull that sentence apart, to examine it, to find questions to ask.  What's the method?  What's the yarn?  How do you do it?  At its heart, knitting is an act of creation.  It's a way to take materials -- a piece of string, some pointy sticks, a few hours -- and come out the other side with something.  And that just might start to explain that obsession.

The Yarn Harlot talks about this idea and the curious thing that comes over us when we realize anew exactly what we have done -- that impulse to grab strangers by the collar, shake them, show them what we've done and say "Look, look at this thing I made!"  I haven't ever done that, exactly, but once when I visited a friend in Boston, I knit all through the class I attended -- a lecture on the disconnect of the modern consumer from the source of their goods.  "We're disconnected from the process!" the professor cried, "Disconnected from our products!  When is the last time you made something with your own two hands, something you could use?"  I will admit to a certain amount of consternation experienced during that two-hour class, and a certain amount of hilarity after.

Again with that act of creation -- that act by which you, the Average Citizen of the 21st Century, can take stuff and make things.  You can be a producer!  You can make things!  Need a hat?  Make a hat!  It's a strange kind of power to wield. 

I tell people, sometimes, when I'm working on something that looks complicated and they're impressed, that it's actually simple and I'm just doing it to make myself look smarter or more clever.  Usually it's something accomplished by a simple trick -- entrelac, for example, or stranded knitting.  Of course, simple and easy aren't at all the same thing.  Something simple is uncomplicated.  Something easy is something that can be achieved without great effort.  Stranded knitting?  Simple.  Even easy, once you get the hang of it.  It's the getting-the-hang-of that can be tricky, sometimes, but I'm going to quote the Yarn Harlot again, from the waiting room of a hospital:

"A woman approaches me as I sit there, and she watches for a moment before she comments on my work.

"Wow," she says. "That looks complicated.  I could never do that.  I don't have the patience for it."

People tell me this all the time.  They are simply not cut out for knitting.  It's too hard for them.  They aren't the type.  I've prepared a speech for moments like this.  It begins with a statement about the simplicity of knitting, and ends with a two-minute tutorial.  I'm about to launch into this speech when I happen to glance at the woman's name tag: Dr Susan P. Rogers.  Surgeon, Neurology Department

I'm so stunned that it's all I can do to smile in her general direction.  In fact, I may not be smiling; I may just be staring at her in quiet stupefaction.  She doesn't think she can knit?  She's a brain surgeon!  A freakin' brain surgeon who doesn't think she has the skills or the patience to knit? 

...

Five year old Danish children can manage it.  Illiterate people all over the world can knit brilliantly.  But not a Canadian brain surgeon?"

I taught a friend of mine to knit this past fall.  He's a musician.  He owns and can play well four different types of guitar, an electric bass, a viola, a violin, a mandolin, an electric keyboard, a dulcimer, and a drum set.  And he was sure that he wouldn't be able to knit.  (Truth be told, during those first twenty minutes, I wasn't at all sure he'd be able to knit either.)

It took three attempts -- about a week -- before he was able to remember how to hold the needles ("it's not a pencil; it goes in your hand."), how to tension the yarn, how to knit a stitch ("nope, that's twisted, put it back."  "Ah, @#&%").  And yet -- here we are, two months later, and he's working on a Fibonacci-striped asymmetrical scarf for his mom.  (It was a Christmas present.  We've trained him well.)

We went to Northampton, MA, to visit my sister.  Some of you already know where this is going -- for the rest of you, let's just say that there is a really big yarn shop in Northampton.  Can you say "warehouse"?  Can you say "too many options"?  Can you say "I didn't even know they could make yarn out of that"?  (Can you say "I wish it would catch on fire so I could run around with a cart and then flee while everyone was distracted"?)

He spent more money than I did. 

Here's another quote, from one of the most famous books on knitting out there, published in 1971 by one Elizabeth Zimmerman:

"Most people have an obsession; mine is knitting.

Your hobby may be pie-baking, playing the piano, or potbelly-stove collecting, and you can sympathize with my enthusiasm, having an obsession of your own.  Will you forgive my single-mindedness, and my tendency to see knitting in everything?

Carvings and sculpture remind me only of Aran and other textured designs; when I see a beautiful print my first thought is how it would adapt to color pattern knitting; confronted by a new fashion, I immediately start drawing in the air with my forefinger to see if it would suit itself to knitting, and if so, how -- which way the grain should run, if the shape could be knitted in, and what stitch would be most effective.

So please bear with me, and put up with my opinionated, nay, sometimes cantankerous attitude.  I feel strongly about knitting.

...

If you hate to knit, why, bless you, don't; follow your secret heart and take up something else.  But if you start out knitting with enjoyment, you will probably continue in this pleasant path."

I don't know anyone who knits and hates it, but I think it's advice we could all stand to hear every now and then.  Can't stand your WIP?  Make something else.  Tired of making scarves?  Try a hat.  Sick to death of tiny stitches on tiny needles?  Make a bulky-weight shawl and laugh at how fast it goes.

Knitting slumps happen to all of us.  Whenever they happen to me, I get worried: What if I hate knitting forever?  What if I don't pick up the project again and suddenly it's three years later and I haven't knit a stitch?  I sometimes feel bad about putting something down or starting something new, but there are times when I have to say to myself "It's okay to take a break!  Everything will still be there next week!"

You don't have to love anything all of the time.  You can be mad at your knitting.  You can give it the silent treatment.  You can threaten to take it off the needles or leave it buried in the closet or mark it "hibernating" on Ravelry so you don't have to think about it any more.  But if you started it of your own volition, odds are that you'll come back.

It's the 21st century.  You -- you reading this right now, you personally -- you have the ability to take a bit of string and a couple of pointy sticks and make something.  Anything!  Really, there never has been a better time to love knitting & crochet.  Yarn has never been nicer.  Needles have never been nicer.  There has never been such a wide & high quality selection of doo-dads and tools and weird stuff that you never even knew you needed (that you now can't live without). 

There's never been a yarn shop in every little town in America.  (You know what's a great thing?  Knitmap is a great thing.)  Ravelry has a road trip planner.  A road trip planner!  Ravelry exists!  A big, awesome place that has been called one of the best designed websites on the internet.  Yes, really.

I've heard a few people complain that "everyone knits these days!"  It's easy to forget that when our  hobby went mainstream it was a good thing.  A great thing, even.  I understand the impulse to want to be separate or special or have a unique hobby, really I do.  But the more the merrier, we say -- remember, you have common ground with everyone who knits.  Everyone!  It doesn't matter what kind of yarn they use, or what sort of needles, or even what they're making or how long they've been doing it or why they started.  You have common ground with the 36-year-old who only makes garter stitch acrylic scarves.  You have common ground with the 25-year-old who makes cashmere lace tablecloths.  (Are you a knitter?  You have common ground with crocheters!)  You have common ground with anyone who has ever put yarn to tool.

"Knitting is a method by which thread or yarn is used to create cloth."

Technically correct, I think we can agree.  And yet...

This may be one of those rare times that we can accurately say "the whole is greater than the sum of its parts."  To knit: put loops on a needle, draw other loops through, repeat until fabric is accomplished.  To crochet: put a loop on a hook, draw other loops through, repeat until fabric is accomplished.  That is the sum of the parts, at the most basic level.

The whole, though, is the reason that we can all understand exactly why this is funny:

(This was supposed to be a history of knitting blog.  I'm not really sure what happened.  Uh... I'll do that one next week some time.)

Brown Truck, Brown Box...

When UPS drives up at the back of the shop, we can see the back edge of the truck from the counter.  Instead of a blurry view of a sliver of parking lot & quilt shop, everything is suddenly that solid dark brown...

...and then in comes the UPS deliveryperson, who is of course dressed in brown and has brown hair.  She's always friendly, even if it's only ever a polite "hi, how are you today?"  It's always good to say hi to people like her -- we've all worked in retail (ha) or in a service job; isn't it nice when people acknowledge you?  It's almost like they realize you're people too.

Today a big heavy box came, and in it was a shelf-full of Simplicity and a bunch of Zauberball, too.  Let's take a look...

It's a basket of Zauberballs!  Here's a close-up of the best one (and also of the rainbow, because rainbow):

The bottom of the box was all Simplicity.  EVERY COLOR:

New yarn, new yarn... new yarn... how much better could today possibly have been?

A new free pattern, that's how.

2 skeins alpaca!  We have lots of alpaca!  It has cables!  You need one!  Click through to the Ravelry page for download & more pictures.

 

It got its picture taken with a geranium, that's how you know it's one of the cool kids.

Olympic Knitting

I'm sure some of you have heard about the Ravellenic Games; it's the knitting & crochet olympics hosted over on Ravelry.  Judging by the number of questions I've gotten here and seen online about it, though, a lot of people don't really understand what it is or how it works.  In the spirit of the thing, then, here's my two-cent explanation of what the Games are and how they work.

Please note: this post assumes a basic knowledge of how to use Ravelry and all of this information is subject to change as the Games are currently undergoing a shift in moderation.  I'll update this as things become clearer.

The basic premise is this: Pick a project, cast on during the opening ceremonies of the Olympics, and be done by the end of the closing ceremonies.  That sounds easy enough, right?

Here's the thing: it really is that simple.  If you don't want to do anything more complicated than that, great!  Tag your Ravelry project with "ravellenics2014" and you're done.

Of course, if you want to get more competitive or more complicated, there are plenty of options.  An analogy for the Ravellenics:

You're a skier, let's say, and you're from Canada.  You go to the Olympics as part of the Canadian team; you can't also compete for the USA.  But you can compete in a cross-country event, a downhill speed race, and a fancy-tricks event.  One person, one team, three events.

Now: you want to make a one-skein cabled hat, and you're from Michigan, USA.  Your hat goes to the Ravellenics as part of Team Michigan, where it competes in the Hat Halfpipe and the Single Skein Speed Skate.  One project, one team, two events.

Each team you join needs its own project to represent it: say you also want to make a pair of socks, but you don't really care if you finish: join Team Apathy!  Socks compete in Sock Hockey, of course, but also in any other events that are relevant to your design or colors. 

To join a team, click on the name of the team within this page and reply to the thread.  Each team has a "team thread" where you reply with "I'd like to join!"  Most of the time, you'll be added to the official team roster and will be earburned or messaged when team-related things are happening.

That said, projects don't have to compete for a team.  You can be a free agent!  Just tag your project with "ravellenics2014" and, if you want, the relevant events.

Congratulations, you're a Ravellenic Games athlete!

The history of the Ravellenic Games is getting ever more complicated: it started in 2008 as the Ravelympics, and that is the name by which many people still know the event.  In 2012, though, Ravelry got a cease-and-desist from the International Olympic Committee, informing us that that use of the word "olympic" was in violation of trademark laws, and that we would have to change the name.  And we're not the only ones!  The International Olympic Committee (the IOC) has long been known for its overzealous & completely ridiculous c&ds: these have included, among others, one sent to a Greek restaurant, a newspaper, and basically every business in Washington state ("you can't call that the Olympic Café!  People might think it's the Olympics!")

After a certain amount of grumbling -- it's still hard to believe believe that they were serious -- the name of the Games was changed to Ravellenics, in reference to the Panhellenic Games, another series of sports festivals held in ancient Greece.

This year, there has been some confusion over what, exactly, is going on in the official Ravellenics group.  Here's the long and short of it: the moderators enforced a no-politics rule in the official group, with the understanding that politics were allowed in other groups and discussion threads, just not on the main board. 

As we all know, the anti-gay laws in Russia have been a major point of contention this year among people all over the world, and Team Sherlocked decided to start what they called the Rainbowllenics Challenge as a way to be visible in protest.  That link will take you to the official info-post about the challenge, but the gist of it is "knit something rainbow to show your support for the LGBT+ community in Russia."

The first problems arose when the announcement of that challenge was deemed "political" and taken down, without notice, from Team Sherlocked's invitation to join their team.  That kicked off a lot of heated discussion about what constituted "political discussion" and what sorts of things would be censored from the Ravellenics board.  People defected, talked about starting their own Ravellenic Games, etc. -- several other teams pledged support to the Rainbowllenics challenge, and as the moderators of the main group tried to clarify their rules, people became angrier and more hurt by the way the no-politics rule was being handled.

Eventually and without much warning, the original moderators abdicated control of the group, deleted most of the group information, and left.  At the moment (Monday afternoon), Ravelry's code monkey Casey is the only moderator of the group, and voting for new moderators is expected to open soon.  There is a lot of discussion over what the rules should be like, who should moderate the group, and how, exactly, we are going to run the event during future Olympic Games. 

If you're not already knowledgeable about how the Games function, I would recommend staying off of that group page until the new moderators are elected and everything is up and running again.  Seriously.  I know how this works and even I have gotten confused in the last few days.  There is a thread calling for volunteer moderators here; if you are interested, you can read through what some of them have to say about their qualifications and vote for the new mods here.

We are probably going to have a Team Lancaster Yarn Shop; we have had one in previous years.  There is a full list of teams on this page, if you're interested in cruising for one that is just right. 

The Ravellenics are a lot of fun, trust me.  It's not as huge and complicated as it might seem, and it's only going to get more streamlined as the rules are reworked and we go through a few more years of events.  This is only the fourth time our Games have run, remember -- we don't have nearly the amount of experience that the real-world Olympics do.  Here's the most important thing to remember: Ravelry is a wiki, and it benefits from your input.  If you want to fully understand the Ravellenics and help to make it better, great!  Go read up on the current group, and take a look at the 2012 group too.  There's a lot of good information in there, and if you have questions there's a "Newbies" thread in the 2014 group.  Ask away!

Just remember: one project, one team, as many events as you can possibly stand.